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Secondary colors in textiles are formed by mixing equal parts of two primary colors. They expand the palette for designers and are essential for creating diverse and vibrant fabric ranges, important for fashion trends and consumer choices.

Monochromatic color schemes use variations in lightness and saturation of a single color. This scheme is widely used in textiles to create elegant and cohesive fabric designs, and it allows for focus on textual and structural design elements of garments.

Analogous colors are groups of three colors that are next to each other on the color wheel, sharing a common color. In textiles, analogous color schemes are often used to create harmonious and visually pleasing designs, which can be soothing to the eye.

In textile design, primary colors are the three pigment colors that cannot be mixed or formed by any combination of other colors. All other colors are derived from these three hues. In the world of textiles, consistent pigmentation using primary colors ensures a wide gamut of color possibilities for fabrics.

Tertiary colors are created by mixing a primary color with a secondary color. In textiles, understanding tertiary colors is crucial for designers to achieve more nuanced and specific shades for fabrics, which can appeal to various aesthetic preferences in the market.

Complementary colors are pairs of colors that, when combined, cancel each other out to produce a grayscale color. In textiles, using complementary colors can create striking contrasts, which are often used to make design statements or highlight areas of garments.

Triadic color schemes involve using three colors that are evenly spaced around the color wheel. For textile applications, triadic schemes offer diverse and lively palettes while maintaining balance, useful in creating dynamic and colorful textile prints.

Color harmony refers to the visually satisfying effect of combining similar or related colors. In textile design, achieving color harmony is crucial for creating aesthetic appeal in garments and ensuring different elements of an outfit work together.

Value in color theory refers to the lightness or darkness of a color. In textiles, manipulating the value is essential for creating depth, contrast, and patterns in fabric, key for visually interesting designs.

Warm colors are hues from red through yellow, browns and tans included, whereas cool colors are hues from blue-green through blue-violet, most greys included. Textiles use warm and cool colors to evoke different emotions and can influence perceptions of space and size within a garment.

Saturation refers to the intensity or purity of a color. In textile manufacturing, saturation is controlled to achieve desired vibrancy of fabric colors, affecting the overall mood and style of the textile product.