Discover published sets by community

1960s-1970s, marked by simplicity and a focus on the most essential elements of form and color

Early 20th century, emphasized speed, technology, youth, and violence, and objects such as the car and the industrial city

Late 1970s-1980s, characterized by intense subjectivity and rough, vivid, and energetic application of paint

Late 1940s-1950s, characterized by large-scale, non-representational works with an emphasis on the creative process

Early 20th century, characterized by a focus on representing emotional experience rather than physical reality

Late 19th century, characterized by small, thin brush strokes, open composition, and emphasis on accurate depiction of light

Early 18th century, known for lightness, elegance, and use of curved lines

Early 20th century, characterized by abstracted, geometric forms and a fragmented approach to composition

Early 20th century, noted for vibrant colors, strong brushwork, and simplified details

17th century, featured grandeur, drama, richness, and tension between light and dark

1890-1910, characterized by intricate linear designs and flowing curves based on natural forms

Mid-19th century, aimed to return to the detail, intense colors, and complex compositions of Quattrocento Italian art

1920s-1940s, focused on channeling the subconscious to unlock creativity and imagination

1916-mid-1920s, an avant-garde movement with a foundation in absurdity, anti-war politics, and opposition to bourgeois culture

1913-1940s, focused on abstract, geometric forms and a functional approach to artistic expression

Late 1960s-early 1970s, characterized by the use of everyday or 'poor' materials in art to challenge and disrupt the values of the commercialized art world

1960s, focused on creating optical illusions through meticulous design and contrast

1919-1933, combined crafts and fine arts, and was famous for the approach to design that it publicized and taught

Mid-19th century, depicted contemporary subjects and situations as they actually were without idealization