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Modernist Literature Characteristics

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Existential Concerns

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Characters in modernist texts grapple with existential questions and the meaning of life. Example: 'Waiting for Godot' by Samuel Beckett.

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Breaking Conventional Forms

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Modernist writers break away from established structures like sonnet or linear narrative forms. Example: 'The Cantos' by Ezra Pound.

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Blurring Genres

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Modernist texts often blur the lines between traditional literary genres. Example: 'Orlando' by Virginia Woolf combines biography, novel, and history.

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Disjointed Timeline

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Modernist texts often break from chronological sequencing, favoring fragmented narratives and multiple perspectives. Example: 'The Waste Land' by T.S. Eliot.

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Rejection of Traditional Themes

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Modernist literature often dismisses traditional themes for darker, more complex subject matters. Example: 'The Love Song of J. Alfred Prufrock' by T.S. Eliot.

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Psychological Realism

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A focus on the psychological landscape of characters, exploring complex emotional states. Example: 'The Sound and the Fury' by William Faulkner.

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Irony and Satire

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Modernist works often employ irony and satire to critique societal norms and perceptions. Example: 'A Modest Proposal' by Jonathan Swift.

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Pessimism

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A general sense of pessimism about the future or human nature permeates modernist literature. Example: 'Brave New World' by Aldous Huxley.

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Brevity and Conciseness

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Modernist texts may utilize concise language to convey complex concepts. Example: 'The Red Wheelbarrow' by William Carlos Williams.

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Urban Settings

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Modernist texts frequently feature urban landscapes, illustrating the alienation and decay of city life. Example: 'Manhattan Transfer' by John Dos Passos.

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Emphasis on Technique

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Writers use innovative narrative techniques and linguistic experiments. Example: The use of mot justes in 'The Sun Also Rises' by Ernest Hemingway.

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Interest in the Subconscious

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Exploration of the subconscious mind and its influence on behavior and thought. Example: 'Ulysses' by James Joyce.

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Ambiguity

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Intentional ambiguity leaves interpretations open and challenges readers' perceptions. Example: 'The Road Not Taken' by Robert Frost.

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Alienation

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Characters are often depicted as isolated or alienated from society. Example: 'The Metamorphosis' by Franz Kafka.

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Symbolism

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Modernist texts use symbolism to convey complex themes and emotions. Example: 'To the Lighthouse' by Virginia Woolf.

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Absurdist Elements

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Inclusion of absurd situations that reflect the nonsensical nature of life. Example: 'Waiting for Godot' by Samuel Beckett.

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Anti-hero Protagonist

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Protagonists in modernist literature are often anti-heroes, flawed and with ambiguous morals. Example: 'The Sun Also Rises' by Ernest Hemingway.

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Stream of Consciousness

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Writing style that seeks to portray the inner workings of the mind, often disregarding grammatical convention. Example: 'Ulysses' by James Joyce.

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Impressionism

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Description of settings and characters based on subjective impressions rather than objective reality. Example: 'The Love Song of J. Alfred Prufrock' by T.S. Eliot.

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Contrast between City and Nature

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A stark contrast is often drawn between the natural world and the constructed urban environment. Example: 'The Waste Land' by T.S. Eliot.

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Fragmentation

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Works are characterized by a fragmented structure, including disrupted plots or characters. Example: 'Mrs. Dalloway' by Virginia Woolf.

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Allusions and Intertextuality

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Frequent references to other texts and historical contexts to enrich the main text. Example: 'The Waste Land' by T.S. Eliot is laden with literary and cultural allusions.

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Multi-perspectivism

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Use of multiple perspectives to tell a story, showcasing the relativity of truth. Example: 'As I Lay Dying' by William Faulkner.

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Negation of Plot

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Modernist literature often downplays traditional plot in favor of exploring ideas and techniques. Example: 'In Our Time' by Ernest Hemingway.

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Emphasis on Subjectivity

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Modernist literature emphasizes subjective experience over objective reality. Example: 'In Search of Lost Time' by Marcel Proust.

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