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Blocking refers to the precise staging of actors in a scene, as well as the movement of the cameras. Effective blocking ensures that actors are positioned so that they can be captured optimally by multiple cameras without any obstructions, maintaining continuity and fostering dynamic visual storytelling.

A switcher, or vision mixer, is a device used to select between multiple video feeds and can include mixing of vision and sound, transitions, and other special effects. Proper utilization affects the fluidity of live productions and is essential for the technical director.

A four-camera setup is commonly used in television, particularly for sitcoms recorded before a live audience. It employs four cameras positioned strategically to capture wide, medium, and close-up shots. This setup enables efficient shooting from multiple angles without extensive resetting.

Coverage refers to the use of multiple angles and takes to capture a scene completely. It ensures that the director has a variety of shots to choose from when editing, allowing for creativity in the pacing and shape of a scene.

Cross-shooting is a technique where two or more cameras record simultaneously from different angles. This method is often used to capture conversations between characters, allowing for a more fluid editing process and reducing the need for reshoots.

Live switching is the real-time selection of camera feeds to be broadcasted or recorded. The director switches between feeds based on the script and the actors' performances. This technique is key in live event broadcasting, contributing to the dynamic and immediate feel of the production.

Timecode sync ensures that all cameras and sometimes audio equipment are synchronized with the same timecode. This simplifies the editing process by making it easier to match up shots from different cameras in post-production.

The 180-degree rule is a guideline stating that cameras should stay on one side of an imaginary line drawn through the set to maintain spatial consistency. This ensures that the actors' positions and gaze directions remain constant relative to the viewer, avoiding confusion.

The 30-degree rule states that for consecutive shots of the same subject, the camera position should change at least 30 degrees. This rule helps to create a sense of perspective change and visual interest, avoiding jarring jump cuts between similar shots.

An ISO camera is a term for 'isolated camera' that shoots one subject or part of the set continuously. This feed can be used later for specific reaction shots or cutaways during the post-production phase, providing the director with more editing options.

A match cut is an editing technique where shots are combined to create a sense of continuity by matching the action, subject, or visual composition. In multi-camera productions, this helps maintain the flow of the scene and makes cuts less noticeable.

A cutaway is a shot that cuts from the main action to a visual that adds context or details. In multi-camera productions, cutaways can be captured simultaneously by the non-primary cameras and used to enhance the story or provide coverage for edits.

A truck shot involves moving the camera laterally to the action. In multi-camera setups, while one camera trucks, others maintain their angles, creating the opportunity for dynamic cross-cuts and a rich sense of space.

A pedestal shot is accomplished by moving the camera vertically up or down using a pedestal equipment. This method adds depth and variety to multi-camera productions, providing an elevated angle or capturing vertical movement in the scene.