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History of Directing

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German Expressionism (1920s)

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Use of stark lighting and shadows, distorted sets, and a focus on inner turmoil. Often dealing with madness and betrayal.

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New Hollywood (1960s-1980s)

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Focused on directorial vision and innovation, often with more complex themes, and targeted at younger audiences.

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Third Cinema (1960s-1970s)

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Political and socially committed cinema, associated with national film movements in Latin America, Asia, and Africa.

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French New Wave (1950s-1960s)

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Characterized by experimental shooting and editing techniques, a rejection of traditional film narrative, and a focus on personal expression.

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British Social Realism (1950s-1970s)

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Focused on working-class life, frequently filmed in industrial town settings, with a commitment to showing the everyday and the marginal.

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Mumblecore (2000s)

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Characterized by low-budget film production, amateur actors, naturalistic dialogues, and a focus on personal relationships.

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Dogme 95 (1995)

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A vow of 'chastity' for film-making: natural lighting, no superficial action, handheld camera to create a sense of realism.

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Cinema Novo (Brazil, 1960s-1970s)

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Involved socio-political films that promoted social change, combined realism with allegory and symbolism.

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Italian Neorealism (1940s-1950s)

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Shot on location, used non-professional actors, focused on everyday life situations, dealing with post-war reality.

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Japanese New Wave (1950s-1970s)

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Rebellious in style and content, often confronting social taboos and traditional values, with formal experimentation.

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Soviet Montage (1920s)

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Emphasized editing over camera movement, used for ideological propaganda, and showed the power of film to communicate complex ideas.

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Blaxploitation (1970s)

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Featured African-American actors in lead roles, focused on black audiences, and often showcased soul and funk soundtracks.

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French Impressionism (1920s)

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Focused on visual rhythm and editing, shooting techniques that conveyed characters' emotions, and complex narrative structures.

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Parallel Cinema (India, 1950s-1970s)

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Non-mainstream cinema noted for its serious content, realism, and naturalism, often addressing socio-political issues.

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Australian New Wave (1970s-1980s)

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Explored uniquely Australian themes often with a focus on the landscape and historical narratives, and a resurgence of the national cinema.

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