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Subtext refers to the underlying and implicit meanings behind the dialogue and actions of characters. Directors must ensure actors convey subtext to add depth and realism to the performance.

Wings are the offstage areas to the sides of the proscenium arch. Directors use this space to conceal actors before entrances or to stage quick offstage actions without disrupting the performance.

In theatrical terms, a beat is a unit of action or a moment in a scene that signals change. Directors and actors use beats to shape the rhythm and flow of a performance.

Script analysis is the process of breaking down the scenes, characters, and dialogue to understand the writer's intention. Directors use this analysis to inform the creative choices and interpretive decisions of the production.

Backstage is the area out of the audience's view where performers and stage crew work. Directing involves coordinating backstage activity to ensure smooth scene changes and transitions during the performance.

Sightlines are the lines of sight from various audience perspectives to the stage. Directors must ensure that the set design and actor placement do not obstruct the audience's view of important actions or scenes.

Pacing refers to the speed at which the story unfolds on stage. Directors must adjust pacing to maintain audience engagement, ensure clarity, and highlight the dramatic arc of the play.

Typecasting is the practice of casting actors in roles closely matching their known personalities or previous roles. Directors sometimes use or avoid typecasting to fulfill their production concept or challenge actors' range.

The fourth wall is an imaginary wall at the front of the stage through which the audience views the play. Directors may choose to break the fourth wall to engage directly with the audience or maintain it for traditional storytelling.

Blocking refers to the precise staging of actors in order to facilitate the performance. In directing, it involves planning and coordinating performers' movements onstage with respect to the script and the audience's perspective.

Motivation is the underlying reason behind a character's actions or dialogue. Directors must work with actors to determine and convey clear motivations in order to create believable and relatable characters.

A cue is a signal for something to happen in a performance. Directors must ensure that actors and technicians are precise with their cues to facilitate seamless transitions between scenes and actions.

Table work is the initial phase of rehearsal where actors and directors discuss and analyze the text. It is essential for understanding character motivation, plot, and themes before physical staging begins.

A cyclorama is a curved backdrop at the back of the stage, often used to create the illusion of sky or open space. Directors can utilize this element to enhance the atmosphere and mood of the play.

The rehearsal process is the period during which the cast and crew prepare for the public performance. Directors lead this process, managing time effectively and ensuring coherence across all elements of the play.

Downstage refers to the area of the stage closest to the audience. Directors often place important action or characters downstage to draw the audience's focus and create intimacy.

Casting is the process of selecting actors for various roles in a play. Directors seek the best combination of talent that fits the characters and can compellingly bring the script to life.

Stage directions are instructions in the script regarding movement, position, or tone of an actor. Directors interpret and sometimes adapt these directions to suit the vision and practicalities of the production.

The production concept is the overarching artistic and thematic vision for the play. Directors develop this concept to guide the design, staging, and performance choices throughout the production process.

Cold reading is the act of reading aloud from a script without prior rehearsal. Directors may use this technique during auditions to gauge an actor's instincts and adaptability to the material.

Dramaturgy involves the theory and practice of dramatic composition, often focusing on the thematic, structural, and stylistic elements of a play. Directors may collaborate with dramaturgs to deepen the text's interpretation and coherence.

A read-through is a complete reading of the script performed by the cast, typically at the start of rehearsals. Directors use this to establish a basic understanding of the play and assess the ensemble's dynamics.

The stage picture is the visual composition seen by the audience at any given moment. Directors must be mindful of creating dynamic and informative stage pictures that enhance the narrative.

Tech rehearsals focus on the integration of technical elements such as lighting, sound, and set changes into a performance. Directing requires careful planning and execution to ensure technical aspects complement the artistic vision.