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Directing for Television
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Single-Camera Setup
A production method that uses one camera to shoot all the angles of a scene one by one. Unique considerations for directing include more flexibility in camera movements and a more cinematic look.
Casting
The process of selecting actors for various roles. Directors must consider chemistry with other actors, fit with the character, and potential for development in a TV series.
Multi-Camera Setup
A production method that uses multiple cameras to capture the scene from different angles simultaneously. Unique considerations for directing include blocking for multiple cameras and ensuring performances are consistent across takes.
Blocking
The precise staging of actors in a scene, including their movements and positions. For TV directing, blocking must consider the camera positions and the limitations of the set.
Voice-Over (VO)
Narration by someone not seen on screen, often used to convey characters' thoughts or story background. For a TV director, VOs must be timed and executed to enhance, not distract from, the scene.
Location Scouting
The process of finding suitable places to film different scenes. For TV directing, considerations include logistical challenges and ensuring visual continuity with existing sets.
Technical Rehearsal
A run-through of a scene or show with all technical elements in place, such as lighting and sound. For TV directors, this is crucial to work out any last-minute technical challenges.
Mark
An indication of where an actor should position themselves during filming. For TV directing, marks are crucial for camera focus and lighting setups.
Shooting Script
A script containing the final dialogue and detailed instructions for the production, including camera angles and edits. TV directors use this as a blueprint for filming.
Read-Through
Similar to a table read, but often done in later episodes for the cast and crew to review the script together. Helps the director address potential issues and make script changes if needed.
Storyboard
A visual representation of the scenes in a sequence, consisting of drawings or images. Directors use storyboards to plan the visual flow and to communicate the vision to the crew.
Pickup
A small portion of a scene that's re-shot. Often done to correct an error or improve a moment. For TV directors, pickups must be well-planned to avoid continuity errors.
Coverage
Filming enough of a scene from various angles to give editors choices during the editing process. In TV, efficient coverage is crucial due to tighter schedules.
Cross-Shooting
Filming a scene with cameras capturing multiple actors simultaneously from different angles. This approach can save time but requires careful blocking and lighting consistency.
Cue
A signal that directs the cast and crew to perform a specific action or begin a take. TV directors must be clear and precise with cues in a fast-paced production environment.
Sweeps
Periods when TV ratings are measured with greater scrutiny to set advertising rates. Directors may work on more dramatic or sensational content during this time to boost viewership.
Cold Open
A scene that jumps directly into the story before the opening credits. For TV directing, it's used to grab viewers' attention immediately.
Pilot
The first episode of a series used to sell the show to a network. Unique considerations for directing include establishing the show's style and appealing to networks and audiences.
Showrunner
The person responsible for the day-to-day operation of a television show, overseeing all aspects of production and maintaining the show's vision. Unique considerations include managing both creative and logistic elements to maintain the show's quality.
Table Read
A gathering where actors read through the script aloud to understand the story and characters. It's important for the TV director to gauge performances and make adjustments before filming.
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