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Directing for Television

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Single-Camera Setup

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A production method that uses one camera to shoot all the angles of a scene one by one. Unique considerations for directing include more flexibility in camera movements and a more cinematic look.

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Casting

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The process of selecting actors for various roles. Directors must consider chemistry with other actors, fit with the character, and potential for development in a TV series.

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Multi-Camera Setup

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A production method that uses multiple cameras to capture the scene from different angles simultaneously. Unique considerations for directing include blocking for multiple cameras and ensuring performances are consistent across takes.

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Blocking

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The precise staging of actors in a scene, including their movements and positions. For TV directing, blocking must consider the camera positions and the limitations of the set.

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Voice-Over (VO)

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Narration by someone not seen on screen, often used to convey characters' thoughts or story background. For a TV director, VOs must be timed and executed to enhance, not distract from, the scene.

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Location Scouting

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The process of finding suitable places to film different scenes. For TV directing, considerations include logistical challenges and ensuring visual continuity with existing sets.

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Technical Rehearsal

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A run-through of a scene or show with all technical elements in place, such as lighting and sound. For TV directors, this is crucial to work out any last-minute technical challenges.

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Mark

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An indication of where an actor should position themselves during filming. For TV directing, marks are crucial for camera focus and lighting setups.

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Shooting Script

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A script containing the final dialogue and detailed instructions for the production, including camera angles and edits. TV directors use this as a blueprint for filming.

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Read-Through

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Similar to a table read, but often done in later episodes for the cast and crew to review the script together. Helps the director address potential issues and make script changes if needed.

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Storyboard

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A visual representation of the scenes in a sequence, consisting of drawings or images. Directors use storyboards to plan the visual flow and to communicate the vision to the crew.

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Pickup

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A small portion of a scene that's re-shot. Often done to correct an error or improve a moment. For TV directors, pickups must be well-planned to avoid continuity errors.

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Coverage

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Filming enough of a scene from various angles to give editors choices during the editing process. In TV, efficient coverage is crucial due to tighter schedules.

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Cross-Shooting

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Filming a scene with cameras capturing multiple actors simultaneously from different angles. This approach can save time but requires careful blocking and lighting consistency.

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Cue

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A signal that directs the cast and crew to perform a specific action or begin a take. TV directors must be clear and precise with cues in a fast-paced production environment.

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Sweeps

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Periods when TV ratings are measured with greater scrutiny to set advertising rates. Directors may work on more dramatic or sensational content during this time to boost viewership.

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Cold Open

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A scene that jumps directly into the story before the opening credits. For TV directing, it's used to grab viewers' attention immediately.

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Pilot

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The first episode of a series used to sell the show to a network. Unique considerations for directing include establishing the show's style and appealing to networks and audiences.

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Showrunner

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The person responsible for the day-to-day operation of a television show, overseeing all aspects of production and maintaining the show's vision. Unique considerations include managing both creative and logistic elements to maintain the show's quality.

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Table Read

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A gathering where actors read through the script aloud to understand the story and characters. It's important for the TV director to gauge performances and make adjustments before filming.

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