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Produced by vocalizing 'boom' with an open mouth and then 'go' with a closed mouth, imitating the high and low tones of bongos.

Produced by a tongue-click, imitating the sound of a drumstick hitting the rim of a snare drum. Short and distinct, often used to add punctuation to a rhythm.

Produced by breathing in while rolling the lip, resulting in a deep, resonant and reverberating bass sound that gives a heavy depth to beats.

Produced by saying 'ts'. Quick and sharp, it's used to add high-frequency, staccato elements to a beat.

Imitating a DJ scratching a record, made by saying 'chika' rapidly and manipulating voice tone and pitch. It's great for transitions and adding a hip-hop feel.

Produced by quickly alternating between the voice and a breathy sound, to create an effect resembling a vinyl scratch.

Produced by a forceful expulsion of air through tightly compressed lips and a burst of air, forming a sound akin to 'pf'. It has a high-pitched snare drum effect.

Produced by creating a low frequency 'bmw' and dragging it out to simulate a dropping effect, often used for dramatic beats.

Produced by a sharp 'kt' or 'pf' sound, it punctuates the beat and provides backbeat typically on the 2nd or 4th beats in common time signatures.

Produced by inhalation, creating a suction sound often used in combination with inward snares to create a continuous rhythm without breaking for breath.

Produced by a sharp inhalation with a closed mouth, creating the hi-hat sound on the inward breath, useful for beat patterns that require continuous sound.

Produced by creating a low rumble in the throat, like the beginning of a gargle. It adds a gritty, deep texture to the beat.

Produced by singing a note and then modulating it with your throat and mouth shape, similar to a synthesizer effect in electronic music.

Produced by saying 'B' with a forceful expulsion of air, mimicking the sound of a drum kick. Use it as the base beat in various rhythms.

Produced by inhaling sharply while pronouncing a muffled 'in' or 'ch' sound, contrasting the outward snare and allowing for continuous breathing when beatboxing.

Produced by a sustained 'tss', it creates a lingering hi-hat cymbal sound, often used to vary the hi-hat pattern.

Produced by vibrating the lips while expelling air, to create a deep and resonant bass sound, often used in electronic music beatboxing.

Produced by a sharp inward breath, combined with a slight closure at the back of the throat, to imitate a snare sound while breathing in.

Produced by rolling your tongue to create a series of clicks, similar to a Spanish 'r'. It can be used for fills and trills.