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Composer: Gaetano Donizetti. Context: In this aria from the first act, Tonio sings of his joy after joining the regiment and being able to marry Marie.

Composer: Giacomo Puccini. Context: Mimì sings this aria in the third act as she bids farewell to Rodolfo, believing their love cannot survive their poverty.

Composer: Richard Wagner. Context: Elisabeth greets the Hall of Song in Wartburg with joy, expressing her love for Tannhäuser and her happiness at his return.

Composer: Ruggero Leoncavallo. Context: Canio discovers his wife's infidelity and, despite his grief, must prepare to entertain his audience as a clown in this famous aria.

Composer: Giacomo Puccini. Context: Sung by Prince Calaf, who falls in love with the cold Princess Turandot, he sings this aria in the third act as he awaits the dawn which will determine his fate.

Composer: Giuseppe Verdi. Context: The Duke of Mantua sings this canzone in the third act, expressing his views on the inconstancy of women.

Composer: Gaetano Donizetti. Context: In the second act, Nemorino believes that Adina is in love with him as he sees a tear on her cheek, and he sings this aria reflecting on her emotion.

Composer: Wolfgang Amadeus Mozart. Context: The Queen of the Night sings this aria in the second act, showing her rage and instructing her daughter Pamina to assassinate Sarastro.

Composer: Giacomo Puccini. Context: In the first act, Mario Cavaradossi sings this as he compares the beauty of his lover, Tosca, to that of the painting he is working on.

Composer: Gioachino Rossini. Context: Rosina sings about the voice she has just heard (Count Almaviva in disguise) and expresses her determination to win his love.

Composer: Giacomo Puccini. Context: In the first act, Calaf tries to comfort Liù, the slave girl, who is in love with him, telling her not to cry for his fate.

Composer: Giuseppe Verdi. Context: The Hebrew slaves express their longing for their homeland in this chorus from the third act.

Composer: Giacomo Puccini. Context: Rodolfo sings this in the first act after meeting Mimì, telling her about his life and asking about hers.

Composer: Giuseppe Verdi. Context: Radamès sings this in the first act, dreaming of Aida and hoping to be chosen as the commander of the Egyptian army to win her love.

Composer: Camille Saint-Saëns. Context: In this seductive aria from the second act, Dalila attempts to seduce Samson into revealing the secret of his strength.

Composer: Richard Wagner. Context: In the third act, Lohengrin reveals his identity and tells the story of the distant land he comes from.

Composer: Giacomo Puccini. Context: Sung by Mario Cavaradossi in the third act as he laments his impending death and his love for Tosca.

Composer: Giacomo Puccini. Context: Lauretta sings this aria in the first act, pleading with her father to help her with the man she loves, Rinuccio.

Composer: Giuseppe Verdi. Context: Gilda, Rigoletto's daughter, sings this aria in the first act after meeting the Duke, whom she believes to be a student in love with her.

Composer: Wolfgang Amadeus Mozart. Context: The Countess Almaviva laments her husband's infidelity and pines for the return of his love.

Composer: Georges Bizet. Context: Sung by the character Carmen in the first act, she seduces the men around her with her wild and free spirit.

Composer: Gioachino Rossini. Context: Figaro introduces himself and describes the life of a factotum in the city of Seville in this energetic aria from the first act.

Composer: Giuseppe Verdi. Context: Manrico, in the third act, is furious upon hearing that his mother will be burned at the stake and vows to save her.

Composer: Alfredo Catalani. Context: Wally decides to leave her home forever in this aria from the first act, after being rejected by her father.