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Microphone Techniques for Singers
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Cardioid Pickup Pattern
Microphone pattern that captures sound primarily from the front and sides while rejecting noise from the back, useful for isolating the vocalist from other sound sources.
Sibilance Control
Adjusting microphone position or using a de-esser to minimize harsh 's' and 'sh' sounds that can be exaggerated during recording.
Dynamic Control
Using compression to even out vocal levels, resulting in a consistent volume that can protect against sudden peaks and help the voice sit well in the mix.
Feedback Elimination
Positioning the microphone and speakers properly, and potentially using a feedback suppressor, to prevent the microphone from picking up its own amplified sound, avoiding howling or screeching noises.
Axial vs Off-Axis Singing
Singing directly into the microphone (axial) offers a full, clear tone, while singing at an angle (off-axis) can reduce harshness and provide a softer sound.
Omni-Directional Pattern
Microphone pickup pattern that captures sound from all directions, offering a more natural ambient sound but also picking up more room noise and feedback potential.
Plosive Protection
Using a pop filter or adjusting the angle of the microphone to reduce the impact of plosives, which are strong bursts of air that cause distortion.
High-Pass Filter Usage
Applying a filter that removes low-frequency noise and rumble from the microphone input, resulting in a clearer and more focused vocal sound.
Proximity Effect
Boosts low-frequency sounds as the singer gets closer to the microphone, resulting in a richer and warmer tone.
Microphone Handling Noise Reduction
Preventing unwanted sounds by holding the microphone gently and avoiding abrupt movements, thus reducing handling noise to maintain audio clarity.
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