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A term often confused with 'stretto' in fugue, but in recitative it implies a faster-paced delivery close to the natural rhythm of speech.

A more dramatic form of recitative that is supported by the full orchestra, creating a heightened emotional experience.

Essentially another term for 'Secco Recitative', it's characterized by minimal instrumental accompaniment and a quick delivery of text.

A style between a recitative and an aria, more lyrical than a recitative but not as elaborate as an aria.

This type of recitative advances the storyline, relaying events or information to the audience more directly.

Similar to 'Accompanied Recitative', this term refers to recitative passages fully supported by the orchestra.

A recitative that includes a solo instrument that plays a significant thematic role alongside the vocal line.

Extended recitative sections that allow for more complex musical development and character exploration.

A recitative where the accompaniment is more realized, or fleshed out, leading to a fuller harmonic support compared to secco recitative.

A type of recitative often used in Mozart operas, characterized by a simple accompaniment and a conversational tone.

A sparse recitative accompanied only by a basso continuo, often used to convey plot or dialogue in a speech-like manner.