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A composition principle where a work is divided into three horizontal and vertical sections, creating intersections for placing points of interest.

A mathematical ratio (approximately 1:1.618) used to create aesthetically pleasing compositions in art, architecture, and design.

A composition technique where elements are balanced without mirroring—different elements have equal visual weight or interest.

A compositional technique where elements are arranged to be the same on both sides of an axis.

A technique which employs a main point of interest or area of emphasis within a composition to draw the viewer's eye.

A technique where lines are used in a composition to direct the viewer’s attention to a focal point or to guide through the artwork.

A technique involving the juxtaposition of opposing elements (e.g., light vs. dark) to create visual interest or draw attention to certain parts of a composition.

A technique where elements in art are arranged in a way to signify importance, leading the viewer through the composition.

The size relationship of parts to a whole and to one another within a composition, aimed at creating a sense of unity.

A principle where the repeated use of certain elements or motifs creates visual harmony and a sense of movement or flow.

A balance between similarity and diversity within a composition to create a cohesive and interesting work of art.

The strategic use of color combinations in design and art to evoke a particular atmosphere or visual cohesion.

A compositional technique where an element is separated from others to become a focal point and capture the viewer’s attention.

The path the viewer's eye takes through the artwork, often to focal areas, created through the strategic arrangement of elements.

The distribution of visual weight within a composition to create visual stability.

The arrangement of elements so that their edges or axes line up along common rows or columns to create a unified look.

The repetition of a graphic motif or element within a work, creating a sense of consistency and rhythm.

The illusion of three-dimensionality on a two-dimensional surface created by various techniques including perspective and shading.

The intentional use of unoccupied areas in a design to create breathing room around elements and improve readability.

The use of elements within an image to create a visual boundary that focuses attention on the subject.

The use of visual or physical texture to add depth, interest, or balance within a composition.

Lines in a composition that spread out from a central point, creating a sense of movement and focus.

The method of representing three-dimensional objects on a two-dimensional surface to provide the right impression of height, width, depth, and position.

The placement of two or more elements close together or side by side, to compare, contrast, or create interest.

The technique of making one part of a work stand out in order to draw the viewer’s focus there first.

The space around and between the subject of an image, which helps define the boundaries of positive space and brings balance to a composition.

The gradual transitioning of one color to another, or from one shade to another, or from one shape to another.

The technique of simplifying an image by reducing detail to focus on the essential qualities of the subject.

The introduction of an unexpected or contrasting element within a composition to surprise and engage the viewer.