Discover published sets by community

Inpainting is the process of restoring lost or deteriorated paint on a work of art using colors that match the original ones as closely as possible. The goal is to make the damaged portions unnoticeable.

UV fluorescence uses ultraviolet light to examine artworks, which can reveal varnish layers, overpaint, or restorations that respond differently under UV light than the original materials.

Hinging is a technique used to mount works on paper, attaching them to a supportive backing using adhesive tabs in a way that allows for natural expansion and contraction.

Cleaning involves removing surface dirt, varnish, or old restorations that have discolored or obscured the original artwork. It must be done with great care to avoid damaging the original materials.

Fumigation is a method to eradicate biological pests from artworks, especially organic materials, using chemicals or controlled atmospheres, without damaging the art itself.

X-radiography is a non-destructive technique that uses X-rays to view the hidden layers beneath the surface of an artwork, revealing underlying drawings, changes, or damages.

Deacidification is the process of neutralizing acids in paper-based artworks to prevent degradation. It can be done by applying alkaline substances to the paper.

Consolidation involves stabilizing and reinforcing deteriorating or weakened materials, such as flaking paint, using adhesives or consolidants.

Solvent gels are thickened cleaning agents that enable conservators to limit the contact time and area of the solvent on the surface of an artwork, allowing for safer and more controlled cleaning operations.

Backlighting is an examination technique where light is shone through a translucent or transparent artwork from the back, making it easier to see conditions such as tears, paper thickness changes, or repairs.

Varnishing applies a protective and sometimes restorative coating to the surface of a painting. It can also be used to saturate and even out the painting's appearance.

Desalination is the process of removing harmful soluble salts that have accumulated within the structure of an artwork, particularly in ceramics, stone, or mosaics, by washing or poulticing.

Fill material is used in conservation to compensate for loss or damage in an artwork, often crafted to match the surrounding areas in texture and color but is differentiated to maintain authenticity.

Documentation in art conservation includes detailed records of the artwork's condition, materials, and the techniques used during restoration or conservation processes.

Humidification applies controlled humidity to artwork, particularly paper, to relax and flatten creases or reduce distortions without chemical intervention.

Laser cleaning involves the use of laser technology to selectively remove encrusted dirt or discolored varnish layers from the surface of artworks with precision and minimal contact.

Microscopic analysis involves using a microscope to observe the fine details of an artwork's surface and materials, which can help identify previous restorations, the artist's technique, and condition issues.

Pigment analysis identifies the types of pigments used in artwork, often through microscopic examination or chemical analysis, which informs conservators about the best methods for treatment.

Lining is the process of attaching a new support to the back of a canvas painting to add strength and stability. It must be done with compatible materials and reversible adhesives.