Discover published sets by community

Reflects on American's fascination with disaster and tragedy within the media and the desensitization that follows.

This piece critiques military expenditure during the Cold War and juxtaposes consumer culture with warfare.

This piece is a critique of the glamorization of violence in media and comics.

Combines current events imagery to comment on the rapid dissemination of news and its effects on public opinion.

This series comments on American identity and stereotypes through the lens of the female figure and domesticity.

A reflection on the African-American experience, hip-hop culture, and commentary on social inequalities.

Examines consumerism and the commercialization of childhood memories, as well as the elevation of banal objects to the status of fine art.

This work explores themes of self-obliteration, infinity, and the cosmic experience within a commercialized, media-saturated context.

This artwork comments on the mass production of celebrity images and the relationship between celebrity culture and mortality.

A public mural that serves as a socio-political commentary on the crack epidemic and its impact on New York City.

Challenges the distinction between 'fine art' and commercial products, exploring the intersection between art, consumerism and authenticity.

This artwork challenges consumer culture by transforming mundane objects into larger-than-life sculptures.

It's both a symbol for the peace movement and a commentary on the commodification of love in modern culture.

Often considered the first standard bearer of Pop Art, this work comments on American consumerism and culture post World War II.

Captures the hedonistic lifestyle in California and comments on the artificial nature of suburban luxury.

Reflects on the omnipresence of consumer goods in America and challenges the notion of what is art.

This piece addresses melodrama in romantic media, and the portrayal of women in a pop cultural context.

A statement on the death penalty in America, the routine nature of violence, and its normalization through media.

The work comments on consumerism, the post-war abundance of goods, and the fascination with domestic modernity.