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History: The first sans-serif typeface to be widely used, it dates back to 1896 and influenced the design of Helvetica. Designer: H. Berthold AG. Characteristics: It is known for its plainness and a large x-height, making it very legible.

History: Created in the 1920s, it's one of the most used fonts of the 20th century. Designer: Paul Renner. Characteristics: Known for its geometric shapes, even weight, and utilitarianism, a stark contrast to the Art Deco style.

History: Commissioned by The Times in 1931 for improved legibility in the newspaper print. Designer: Stanely Morison, in collaboration with Victor Lardent. Characteristics: It is a transitional serif typeface with high legibility.

History: Designed in the 1940s. Named after 16th-century Italian master of calligraphy, Giambattista Palatino. Designer: Hermann Zapf. Characteristics: It's a large family typeface that is known for its readability and elegance.

History: Created in the mid-18th century during the Enlightenment era. Designer: John Baskerville. Characteristics: This typeface is noted for its greater contrast between thick and thin strokes, compared to earlier designs.

History: Originally cut in the 16th century by Claude Garamond, Garamond is considered one of the leading typefaces for printed books. Designer: Claude Garamond. Characteristics: It is known for its elegant, classic proportions and legible serifs.

History: Emerged in the late 18th century during the time which saw the transition to modern Roman typography. Designer: Firmin Didot. Characteristics: Known for its strong contrast and vertical stress, Didot portrays elegance and refinement.

History: Introduced in the 1930s, this font is known for its use in technical documentation and architectural plans. Designer: The Monotype Corporation. Characteristics: Rockwell is a slab-serif typeface with a geometric feel.

History: Originating in the 18th century, Caslon became the dominant typeface for English print. Designer: William Caslon. Characteristics: It features short ascenders and descenders, and a moderate modulation or stroke contrast.

History: Released in 1928, it was inspired by the sans-serif lettering originally designed for the London Underground. Designer: Eric Gill. Characteristics: It's known for its humanist qualities and clean simplicity.

History: First designed in England by Robert Besley in 1845 and became the model for the modern slab serif typeface. Designer: Robert Besley. Characteristics: It is known for its solidity, sturdy serifs, and clear characters.

History: Designed in the late 18th century, epitomizing the modern typeface design. Designer: Giambattista Bodoni. Characteristics: Bodoni has extreme contrasts in stroke weight, very thin serifs, and a geometric construction.

History: Designed in the 1950s but not released until 1958, Optima was inspired by classical Roman stone carvings. Designer: Hermann Zapf. Characteristics: Optima is a sans-serif font with a humanist feel and style variations.

History: Developed in the 1960s, intended for use in airport signage systems. Designer: Adrian Frutiger. Characteristics: It's recognized for its legibility and clarity at a distance or at small text sizes.