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Movie Script Analysis

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Resolution

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The part of the script where the plot concludes, and the outcomes for the characters are revealed.

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Conflict

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The challenge or problem facing the protagonist, which drives the narrative forward.

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Show, Don't Tell

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A principle suggesting that it's more powerful to show something through action or visuals than to tell it through exposition.

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Motif

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A recurring element in the script that symbolizes a theme or character.

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Inciting Incident

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The event that sets the main story in motion, occurring after the exposition.

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Climax

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The point at which the main tensions of the story are brought to their most intense point and the conflict is resolved.

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Point of View (POV)

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The perspective from which the story is told, often shaping the audience's emotional experience.

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Subtext

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The underlying meaning behind the dialogue and actions of characters, not stated explicitly.

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Denouement

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The final part of the script where the strands of the plot are drawn together and resolved.

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Beat

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The smallest unit of story telling that involves a change in character or situation.

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Plot Point

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A significant event within the script that spins the story in a different direction.

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Narrative Structure

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The framework that dictates the order and manner in which the story is presented to the audience.

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High Concept

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A script that can be easily pitched with a succinctly stated premise.

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Exposition

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Information presented in the script necessary for the audience to understand the story.

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Character Arc

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The transformation or inner journey of a character over the course of the script.

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Dialogue

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The words spoken by characters in a script, an essential element of script characterization and plot.

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Storytelling Pace

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The speed at which the story progresses, affected by scene length, dialogue, and action.

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Theme

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The central idea or message that the writer aims to convey through the narrative.

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Foreshadowing

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A literary device that hints at events to come later in the script.

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Three-Act Structure

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A model used for structuring a screenplay around three parts: setup, confrontation, and resolution.

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