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Tragedy and Comedy in Classical Drama

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Catharsis

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Purification or purgation of emotions (especially pity and fear) through art; A key concept in Aristotelian dramatic theory; Thought to be achieved through experiencing tragedy

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Euripides

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Known for presenting complex psychological characters; Used deus ex machina; Key works include 'Medea', 'The Bacchae', 'Hippolytus'

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Hubris

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Excessive pride or self-confidence; Often leads to the downfall of the protagonist in tragedy; Seen as a flaw that invites retribution from the gods

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Menander

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Pioneer of New Comedy; Focused on romantic and domestic problems; Key works include 'Dyskolos' (The Grouch), 'The Girl from Samos'

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Aristophanes

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Master of Old Comedy; His works criticized social, political, and cultural issues of Athens; Key works include 'Lysistrata', 'The Birds', 'The Clouds'

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Sophocles

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Introduced the third actor; Focused on the internal struggle of characters; Key works include 'Oedipus Rex', 'Antigone', and 'Electra'

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Hamartia

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Term for a tragic flaw or error in judgment; Leads to the hero's downfall in a tragedy; Integral to the plot of classical tragedies

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Peripeteia

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A sudden reversal of fortune or change in circumstances; Often occurs in Greek tragedies; Can be the result of a character's critical discovery

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Aeschylus

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Known as the father of tragedy; Enhanced the importance of the plot in drama; Key works include 'The Oresteia' trilogy

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Anagnorisis

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The moment of critical discovery or recognition by the protagonist; Shifts the hero from ignorance to knowledge; Often leads to the resolution of a tragedy

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Deuteragonist

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The second most important character in a Greek drama; Sometimes a supporter or adversary of the protagonist; Introduced by Aeschylus to add complexity to plays

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Ekkyklema

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A wheeled platform rolled out through a door in the skene; Used to display the aftermath of events that occurred off-stage; A method for revealing scenes of violence or death

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Thespis

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Considered the first actor in Greek drama; Introduced the use of masks in theater; Sometimes referred to as the 'inventor of tragedy'

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Orchestra

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The circular space used by the chorus in front of the stage; Means 'dancing place' in Greek; Central performance area in ancient Greek theater

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Tritagonist

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The third actor introduced to the stage, allowing even richer interactions; Sophocles is credited with adding this role; Provided more depth to storytelling and character dynamics

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Chiton

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The traditional garment worn by actors in ancient Greek theatre; Tunic worn by men and women; Used costumes and masks to signify roles and status

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Moira

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Refers to fate or destiny as a driving force in Greek tragedies; Represents the predetermined course of events; Often personified as inescapable and binding

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Protagonist

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The main character in a drama, who often faces the central conflict; Word comes from Greek for 'first actor'; A role that originated in classical Greek tragedy

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Satyr Play

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A form of tragicomedy featuring bawdy and irreverent humor; Included a chorus of satyrs; Performed alongside the more serious tragedies

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Parodos

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The entrance song of the chorus upon their first appearance in a play; Also refers to the aisles on either side of the skene; Used by the chorus to enter and exit

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Tragicomedy

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A genre that blends elements of both tragedy and comedy; Often features a dark or serious storyline with a happy ending; Became popular in Roman times and Renaissance literature

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Skene

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The backdrop building directly behind the stage in ancient theaters; Provided a generic architectural background; Used for changing costumes and staging

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Mimesis

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Imitation or representation of reality in art; Central to Aristotle's definition of tragedy; Believed to be didactic

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Machina

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A crane-like device used in ancient Greek theater; Allowed gods to appear above the stage as if flying; Used for the dramatic device deus ex machina

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Dionysia

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An ancient festival in honor of the god Dionysus; The setting for dramatic competitions in Athens; Where most Greek tragedies were performed

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