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Choreographed by Mats Ek, this contemporary reinterpretation of the classic ballet adds a modern twist to the narrative, with unconventional movements and character developments.

Choreographed by Ohad Naharin, this solo piece is centered on a dancer's body as she or he confronts a score by Brian Eno, showcasing strength and vulnerability.

Choreographed by Alvin Ailey, this dance tells the story of African-American faith and tenacity, from slavery to freedom, set to a suite of spirituals.

Choreographed by Anne Teresa De Keersmaeker, this minimalist piece is known for its intense athleticism and the use of repetitive patterns to Steve Reich's 'Music for 18 Musicians'.

Choreographed by Russell Maliphant, this duet showcases the strength and fluidity of the human body, through a combination of ballet, contemporary, and martial arts techniques.

Co-choreographed by Akram Khan and Sidi Larbi Cherkaoui, this introspective duet explores themes of cultural boundaries and personal identity accompanied by a life-size doll.

Choreographed by Sidi Larbi Cherkaoui, this reinterpretation of Nijinsky's 'Afternoon of a Faun' combines contemporary dance with classical elements, exploring sensuality and nature.

Choreographed by Sol León and Paul Lightfoot, this thought-provoking piece is known for its fluid movement and innovative use of water and fire elements on stage.

Choreographed by Hofesh Shechter, this intense and gritty piece accompanies a rock band and string ensemble, exploring themes of power and manipulation.

Choreographed by Ohad Naharin, this iconic work formulates part of Minus 16 and is performed to a traditional Jewish song, its repetitive, accumulating choreography symbolizing community and tradition.

Choreographed by Akram Khan, this piece was created to commemorate the centenary of World War I, depicting the loss and sacrifice of the war through powerful movement.

Choreographed by Kurt Jooss, this classic dance piece serves as a commentary on war and peace, performed as a series of dances around a green table symbolizing diplomacy.

Choreographed by Jiří Kylián, this introspective piece challenges perceptions of space and relationships, against driving music by composers like John Cage.

Choreographed by Ohad Naharin, this performance is a collage of several of his works and is noted for its improvisation, eclectic music choices, and the 'Gaga' technique.

Choreographed by Crystal Pite, this theatrical piece weaves a narrative about creation and destruction, incorporating puppetry and an emotional score.

Choreographed by Merce Cunningham, this avant-garde piece integrates technology and dance, featuring projected images that interact with the dancers' movements.

Choreographed by William Forsythe, this piece is known for its rigorous technique and energy, set against a backdrop of electronic music and stark stage design.

Choreographed by William Forsythe, this work is characterized by its high-speed movements and complex group formations, all set to the sound of Thom Willems' electronic score.

Choreographed by Mark Morris, this buoyant and lyrical piece is a visualization of Handel's oratorio, featuring a large ensemble of dancers and whimsical set pieces.

Choreographed by Paul Taylor, this luminous piece set to baroque music is celebrated for its simplicity and grace, often described as a cornerstone in modern dance.

Choreographed by Wim Vandekeybus, this dynamic piece is known for its physically demanding choreography and the raw emotions it conveys, set to a rock soundtrack.

Choreographed by Wayne McGregor, this performance is inspired by the physiological and psychological aspects of the human body, articulated through McGregor's distinctive, angular movements.

Choreographed by Pina Bausch, this emotional performance set in a café explores memory and past relationships through repetitive movement and operatic music.

Choreographed by Hofesh Shechter, this dance demonstrates a social commentary on conformity and rebellion, underscored by Shechter's cinematic score.