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Contraction and Release refers to the tightening and relaxing of muscles to create movement, offering a fluid motion that reflects the natural rhythm of breathing. This concept is important in choreography because it adds a human quality to dance, evoking emotion and conveying a range of expressions.

Levels pertain to the vertical distance from the floor, ranging from low, middle, to high. Utilizing different levels in choreography creates visual interest, contrast, and can symbolize various concepts such as power dynamics or emotional states.

Spatial Patterns refer to the paths or shapes dancers create as they move through space, such as lines, circles, or zigzags. Choreographers use spatial patterns to organize movement in space, create visual structure, and to convey narrative or abstract ideas.

Kinesthetic Response is the awareness of motion and position of the body, allowing dancers to respond to each other's movements and to spatial dynamics. This is crucial in ensemble pieces, as it fosters cohesion and synchronicity in group choreography.

Weight Transfer involves shifting the body’s weight from one part to another, creating a sense of gravity and momentum in dance. This is essential in choreography for establishing balance, transitions between movements, and for depicting interactions between dancers.

Counterbalance is a principle where two dancers support or rely on each other to create a balance of weight in various positions. This concept is important for duets or group pieces to create compelling and structural shapes, as well as building trust amongst dancers.

Tempo is the speed at which a choreography is performed. Varying the tempo can enhance the physicality of the dance, influence the mood, and maintain the audience's interest by providing rhythmical diversity.

Improvisation is the spontaneous creation of movement within the moment. It encourages dancers to explore new movements and is important in choreography both as a tool for creating original pieces and for allowing dancers to express individuality within the structure of the dance.

Negative Space refers to the area surrounding the dancer’s body, which can be manipulated through movement. Choreographers exploit negative space to accentuate form, create visual tension, and to dynamically involve the audience's perception of the dance.