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Contemporary dance often uses échappé to transition to the floor or into lateral and asymmetrical shapes, deviating from classical symmetry.

Contemporary dance uses cambre in a more organic way, allowing for a wider range of motion and a greater connection with breath and flow.

In contemporary dance, the rond de jambe is sometimes executed with a softer leg or used as a driver for floorwork or spiraling motions.

Contemporary takes on attitude may feature an off-centered balance or use the position to initiate unconventional turns and floor work.

In contemporary dance, the plié is often used more deeply to explore floorwork and transitions, and to increase fluidity of movement.

The fouetté turn may be performed with relaxed technique, incorporating floor contact, and playing with the speed in a contemporary context.

Contemporary dancers may alter the traditional vertical axis of a pirouette, adding tilts or off-balance elements.

In contemporary dance, tendu may be executed with a relaxed foot or combined with levels and floorwork for expressive purposes.

In contemporary dance, pas de deux can include contact improvisation, highlighting a more conversational and less structured interaction between dancers.

Contemporary versions of grand jeté may integrate angular shapes and landings in a variety of positions, not strictly adhering to a straight line.

Contemporary dancers often manipulate the classic arabesque line, by bending the knee or curving the spine to express different emotions.

Contemporary adaptations of battement often emphasize the flow and return aspect, and the movement might be less sharp and more integrated with full-body gestures.

The adagio in contemporary dance can incorporate varied timing, unpredictable sequences, and a focus on emotional expressivity and bodily tension.

Contemporary port de bras may involve more torso articulation and integration with full-body movements, beyond the classical carriage of arms.