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An ancient kiln type that uses wood as fuel. Ideal for creating natural ash glazes and effects. Advantages: unique aesthetic effects. Disadvantages: labor-intensive, long firing process.

A kiln where soda is introduced at high temperatures. Ideal for creating a glazed surface without the use of glaze. Advantages: unique surface effects, interactive firing process. Disadvantages: Corrosion of kiln interior over time.

A kiln that utilizes solar power, often for drying green wood more than firing clay. Ideal for environmentally conscious practices. Advantages: energy-efficient, low operational costs. Disadvantages: Weather-dependent and slow.

A kiln designed for raku firing. It is often small and portable. Ideal for creating metallic and crackled glaze effects. Advantages: quick firing process, unique results. Disadvantages: Not suitable for functional ware.

A traditional kiln that is a hole or trench dug in the ground. Ideal for primitive firing techniques and large sculptures. Advantages: low cost, large capacity. Disadvantages: uncontrolled firing conditions.

A traditional Japanese kiln that is wood-fired. Ideal for artists looking for natural ash deposits and flashing. Advantages: unique, uncontrolled natural ash effects. Disadvantages: Requires extensive firing time and labor.

A kiln powered by electricity, offering precise temperature control. Ideal for small to medium-sized projects and commonly used in schools and studios. Advantage: consistent temperature. Disadvantage: can be expensive to operate.

A traditional type of kiln that uses propane or natural gas as fuel. Ideal for reduction firing. Advantages: can produce unique glaze effects. Disadvantages: requires ventilation, less precise temperature control.

Similar to a soda kiln, salt is introduced to create a glazed surface. Ideal for stoneware and porcelain. Advantages: distinct texture and glaze. Disadvantages: Corrosive to kiln, environmental concerns.