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Generates raw sound waves; shapes the timbre by producing different waveform types (sine, sawtooth, square, triangle, etc.).

Alters the timbral character of the sound by removing certain frequencies; Low-pass, high-pass, band-pass, and notch are common types.

Shapes the amplitude or other aspects over time using ADSR (Attack, Decay, Sustain, Release) parameters.

Modulates various parameters at a low frequency, creating vibrato, tremolo, or other cyclic effects.

Controls the overall volume of the sound and can be modulated to create dynamics.

Allows routing of modulation sources to various destinations, expanding the sound design possibilities.

Automatically sequences notes in a chord in a rhythmic pattern, often adjustable in direction, range, and pattern.

Creates white, pink, or other types of noise, useful for percussive sounds, sweeps, and adding texture.

An additional oscillator tuned one or more octaves below the main oscillators, enriching the low-end.

A performance control that allows the player to manually bend the pitch of the note being played.

Creates a smooth pitch transition between notes when activated, adjustable in speed.

Determines how many notes a synthesizer can play at once. Monophonic means one note, while polyphonic means multiple.

Stacks multiple voices on each note played, often detuned, to create a thicker sound.

Allows expressive control by sensing the pressure applied by the player after initial key depression, modulating various parameters.

Adjusts the sound dynamics or other parameters based on the velocity, or how quickly the keys are pressed.

Mixes two input signals in a way that creates new, often metallic, atonal, and complex sounds.

Modulates the frequency of one waveform (carrier) with another waveform (modulator) to create complex sounds and overtones.

Varies the duty cycle of a square wave, changing the timbre by affecting the pulse's width.

A waveform made of several slightly detuned sawtooth waves, known for its lush, bright, and wide sound typical in EDM.